Nature Calling
Nature Calling: connecting and deepening people’s engagement with the landscape.
About Nature Calling
Nature Calling is a ground-breaking £2m national arts programme, designed to inspire new communities to connect with their local National Landscape, increase their access to nature, improve their wellbeing and inspire a sense of belonging in these special places.
In the Chilterns, activity will be focused in and around Luton, with a series of artistic and creative activities and events taking place between May and September 2025. We are working in partnership with Revoluton Arts to support a writing and an artist commission.
Starting with words
The starting point for the Nature Calling project is words, and we are working with Lutonian writer and poet, Lee Nelson.
Lee has been writing and performing poetry for nearly 30 years. His work has rhythm and grit, humour and commitment. Lee thinks that the purpose of art is to change the world. Art makers and those who enjoy art all have a role to play.
For his Nature Calling commission, Lee created a short collection – Sharpenhoe Begins (read each of the poems below). The work was created after Lee invited local people to two events exploring the landscape and heritage of the Chilterns. This included a visit to Barton Hills Nature Reserve, discovering the chalk springs, and a storytelling circle at Waulud’sBank, an ancient monument at Marsh Farm next to the source of the River Lea. People were invited to share memories, stories and experiences prompted by the local landscape in and around Luton and these have shaped Lee’s poetry.
Lee was inspired by his visits to the Chilterns as a child and his more recent visits with his own son and community groups from his hometown of Luton, the result is a short collection of nine poems.
“From the beginning I had an idea of the basics of what I wanted the poems to ‘say’,” said Lee. “It was important that things not be too much from one point of view – the intention is to draw people out [to the countryside near Luton] to see for themselves and being told that some old geezer knows better what they should be looking at is unlikely to achieve much in that direction.”
Poetry Commission - Lee Nelson
1. At Sharpenhoe - Begin
At Sharpenhoe – Begin
Take the slow track
loaded with sloes, track
the track less travelled
up the hill’s back
up the Clappers
Up to the space on top
warrened beneath and
honeycombed with tunnels in the air
passages from here to there
Look down and look across
the troughs
of the town now gone
now all there is
up here for us
is
secret and time
perspective and time
time-wind-stretched sun-seeking branches reach out
for Barton, Shillington, Silsoe
and beyond to Clophill, even Wixams, Bedford
A touch of class
to measure ourselves against
to keep our working anger sharp
2. At Waulud’s Bank, Lygetun Rises
At Waulud’s Bank, Lygetun Rises
The clay calls to the hands to shape it
The worlds between the wood call for firesongs to make them glow
The pylon cries to be repossessed, rewilded, torn-down, reused, re-drawn
Drawn into wires, to bind the timbers each to each,
each to next
to raise the henge
to carve out
enclose
for us
a space within
what was inclosed
Place for song
Place for story
talk and dance
Place for hands to clap
eyes to widen
hearts to swell
minds to find one like them, open, close beside the fire
Place to share a plate, to clasp a palm
to offer balm to minds besieged by light-blue-back-lit-blue-light-bric-a-brac
A human eye that looks on green
with old connections starts to fill
Here girdled round with chalk and clay
with wit and timber, soul and sinew
here
in a carven space
enclosed by us
we find again that thing we lost
Just this
Just us
Justice
Just this:
Here on Penda’s blessing we are borne up,
from earth beneath to sky above
Here be dissonant hearts for peace
Here be strange-true minds for love
3. Beginners’ Hill
Beginners’ Hill
And to those who may feel
they were never allowed
That the hills were the place
from where others looked down
Then know all that you need
is to feel the pull
of necessity up
against gravity down
and to walk –
go forwards and onwards
and upwards will come
Now, tramp the chalk down1 and climb
Because the view is always better from the top of the hill
and there’s only one way
to be sure that you see it
Then you pass on that view
to the ones that come after
You pass on that perspective
to the ones that come after
So, go there, ascend
and once you’re up
sit down, form a ring
talk
listen
plan
Form a plan
because on the other side of a summer like this one
who knows where you might land
what you might have got done
Let tomorrow and tomorrow
and tomorrow come
take your land
take your time
The climb is the cause
and the cause is the climb
4. WHO/WHAT/WHERE/WHEN/WHY
WHO/WHAT/WHERE/WHEN/WHY
Come in company
come alone
by day by night in sun in rain
Bring torches and by dark re-find
re-travel routes by daytime known
The jeans-of-green1 suit every season
pick a pair and haul them on
come any day you’re free to come
A day off sick – we walk the green
A day too much – we walk the green
A day alone – you walk the green
A day all’s lost – you walk the green
A day of sadness – walk the green
A day of joy – walk it again
The trees will bend to every mood
Between earth and sky you can be nude
in feeling,
fury
rage or song
In loss,
loneliness
right
wrong –
the hill hears one as it hears all
It’s here to hold up human foot
here to hear what words you’ve got
to whisper, scream, to sing to shout
There’s room for all, there’s room to spare
to amplify joy
absorb despair
An outdoor space for all that’s in
each human vessel –
toe to chin
to domed bone-vault that curves beneath
the sky above that curves the same
as curves below eye and soul and heart
all filled with commerce, music, art
or care and worry or with naught
with things heartfelt, with things head-thought
So, bring them all, the bones they ride
out here – no way, no need to hide –
for tree and rabbit, stream and hill
look just the same on good or ill
as it shines or festers in human will
5. Running Full-Pelt Down a Hill with a Bellyful of Handpicked Blackberries
Running Full-Pelt Down a Hill with a Bellyful of Handpicked Blackberries
I want to change the atmosphere
to ride this sphere a different way
ride out the fear I feel today
look on green and breathe and say
come one
come all
short stay
long stay
park the car
and get away
Climb high above
the grim array
of grey-brick slicks
and wreckage left
when life’s not housed
but just contained
contained
constrained
strained
and stained
with sewage grey
with wasteland grey
with deadline grey
with grey today
and break away
See green-cell-grey
the greened-cell grey
of thought
of time
of time to think
of time to walk
of time to pray to
whoever feels like what you need to
if you pray
or call it prayer
just talk as equals anyway
6. Do Tell
Do Tell
Reach between the eager thorns
to squeeze-test, then pick your choice –
your blackberry – and have it bleed
red-purple
on rubus fingers
Let taste burst, spread and linger
sharp and sweet (could go either way)
stain your lips
fill your nose
It tastes so true!
Direct connect
– earth to you
Not one thing other stands between
to tell you what your senses do
do tell
Do tell:
Tell what it means
to eat without packaging or price
Tell now what it means
to taste it the way it was made
or just grew
belief won’t change
what’s real to you
Take it
feel it
eat it
you – just you
fruit – just fruit
so sharp-sweet
just
just all you need
feel free to feed
the gut
the mind
the fruit
the taste
and ideas too
on which to feast
Who is the land?
Whose is the land?
Who walks it, tastes it, occupies
– serves it better?
Who owns it, counts it, incloses
– serves it better?
The juice-drip-lipped bold hedgerow scrumpers
The berry-feasters in the wood
The notice-posting 4x4ers
The mouse-slick-clicking hedgefund swindlers
What is the land?
Asset listed on a sheet
A line on chart –
grey-green background
for grey-green heart
What is the land?
Human-clouds that drift across
that puddle-jump
that berry-scoff
that slide and wonder on the mud
with eyes a-wide and hearts a-thump
Which one includes?
Which one includes?
Which one be you?
Which one be you?
7. (The Holy Well Feeds) The Mainstream
Come walk with purpose like a cloud:
to shape the sun
to bear the rain
draw sustenance through feet from earth
now sing
now dance
walk
breathe
again
This chalk you walk will make its mark
on wiped-fresh chalkboards of the heart
on wiped-fresh chalkboards in the mind
scribe messages in clean-carved lines
The words to songs we thought were lost
an open ear can catch, can find
re-cord, reclaim, inhabit, write –
The songs of farmers, workers, walkers,
jaggers, rovers, drovers, travellers
The tales of wanderers, tellers, traders
heard in the silence, read in signs
on walls, on stones, in tree-bark, spoor
in cold-brook-babble, whispering grass,
in birdcall, birdsong, hedgerow bustle
susurration all along the branch
the May-Queen3 dusting, carrion rotting,
slime-mold bleeping under mulch
– all calling out to draw you out
– all calling out to draw you out
– all calling you to speak your part
This glossolalia of landscape
– all for all to hear and parse
and add to with the thump of footfall
or pick of stick beside the path – says:
You are the land’s, the land is yours
to walk on, write on as you pass
to mark the path as path marks you
en-route, to root, to grow, to branch
And herein rings this writing’s purpose
clear as summoning churchyard bell –
a human eye that looks on green
with old connections starts to fill
For old, hear ancient, deep, eternal
grass on sole-skin, mud between toes,
they walked before, you now, soon others
each by life to land betrothed
For those that roam these Chiltern acres
whether born of them or drawn from far
will each append their own new chapter
don’t matter who/where/what you are
Don’t matter whence or how you got here
for all we know is here and now
of the billion nows spread through whenever
now comes the now to make your now
So, come all ascenders, climbers
feel earth beneath, feel sky above
feel self between and feel connection,
freedom, space – and that’s enough
This land’s a land that welcomes wanderers
a land of havens between hills
of stands of trees and holy waters
of green that shades the eyes and stills
the feet of walkers, called to pause
on hilltops curved beneath the stars
feel turf that springs beneath the tread
rub heather-flowers between the palms
And come all you bold, steep descenders
descendants of the ones before
of humans seeking first to settle
and then refreshed, more to explore
This land’s a land that calls to wanderers
to come uncover for themselves
that truth of land and truth of humans:
that all are equal on the fells
This land’s a land that needs its wanderers
– the ones who push the boundaries back
for those to come, the ones who beat
the currently unbeaten track –
to see new ways we haven’t wandered
trace ways neglected for an age
since sleep ran to diurnal rhythms
since where you slept wasn’t where you stayed
This world’s not the world that once was
and much we’d miss if so it was
some lines have blurred and for the better
generations have trod, have trod, have trod
Now! Come all you who hear it calling
whilst stood on streets, grey, rhythm-blind
the cycle of night and day inside
is a wild call, not to be denied
Come feel the real, untrammelled sunbright
Come test your skin against the rain
and you’ll find, not so deep inside you
a besom to unblock and drain
the mind of clagging urban poison
clogging artery, ear-canal
Come blast it with some hilltop quiet
or cold-brook-gurgle for an hour
One hour, two or three or four
and curiosity becomes a need
to satiate the money-stomach
and free the ear and eye to feed
the hips to flex,
shift
the foot to fall,
find
a path to follow of its own
to feed that newly wakened hunger
sate new-need; deep as blood and bone
Come serpentine, you walkers, dancers,
wanderers, tellers, singers – swell
this land that’s green, that tells a story
in hilltop grace and holy well
Come listeners, learners, solace-takers
carers, givers, tired, lost
to land that gives back all you give it
to land that’s known, that’s kin and host
Yes!
Come you all, blessed human wanderers
feel earth beneath
feel sky above
feel self between
feel your land calling:
Dawn-hearts for peace!
Fire-minds for love!
8. The good air of the Chilterns invites to health by day and to sleep by night
The good air of the Chilterns invites to health by day and to sleep by night
Steep valleys, cut by meltwaters not the glacier itself.
Tree-topped hills, warrens, narrow rights of way
Romans, Saxons, beacons and Watling Street.
Ancient Countryside, by Rackham’s reckon,
developed slowly, avoiding large-scale changes
due to the difficult nature of the land.
Domesday records – scarp-foot open fields and dip-slope closes.
Homes assarted from the greenwood,
pollarded tree-pasture, measured in pannage.
Earth-beneath – foraminifera, coccoliths – powdered armour of ancient amoebae, raw materials of limestone
Sky-above – like anywhere, nitrogen, exhaust fumes, all that stuff
Caught-between – Beech woods, cob-nuts, sloes, blackberries, humans, other beasts
In summary then: Hard to settle, a problem to farm, difficult to cross . . .
If you haven’t previously felt comfortable visiting – We are hard to settle
If you haven’t previously felt comfortable visiting – We are difficult to cross
Waves of history break on our hoes,
energy runs up the slopes
pools and waits,
and the limestone dissolves . . .
Our chalks hide flint
Lugus’s teeth
the biters of shapers
the checks on the church
the tools of the ancients
If you haven’t previously felt comfortable visiting – Look again, beneath your feet
Our chalkbed is limestone
Limestone dissolves
then carried by water
moves, settles, reforms
makes beds
lays foundations
concretes, abides
Then once more the waters
Once more waves and tides
Migrants migrate
find refuge, survive
Limestone dissolves
runs downhill (with a smile)
runs too fast to keep up
despite stumbles
and trips
it pools
it abides
connects
grows
thrives
Chalk sketches precedents
makes maquettes
Marble follows with art
with columns, with steps
Foraminifera calcify
Coccoliths decay
get lost on the waters
make their way
They pool
They abide
Connect
Grow
Thrive
If you haven’t previously felt comfortable visiting us:
You’re already here.
Have a look.
Come outside.
Beyond Despond
Beyond Despond
Faithful pilgrim – walk the Warden’s way
across the golf-course despond and ascend
It’s steep, demanding, but rewards
energy spent and burden borne
Reach top and field and space to pause
Once there, commune and sing and strum
Sing loud and sweet and creatures come
and wait outside the fire’s ring
until they are invited in
They need the rhythm, need the rhyme
need earth beneath, need tune and time
they joined our we – and as one we
thus on we go beneath the sky:
A dance begins, all smoke and steam,
through all of we spoke voices green
that told us truths we deep-down knew –
– still revelations, through and through –
To find the lost, to ground the vain –
we must connect, again, again
To lift the louring town-sogged mind –
with sky-hill-light we radicalise
Beaten-teen-spirit, fogged with blood –
we cleanse with sun and honest mud
Then dropped the vision, slept the we
in puppypile-style – free
Then sun-salute and stretch the back . . .
Now! Down the hill! Sack Rome! Look back . . .
Lee’s poems will frame the next stage of the Nature Calling project – Luton Henge. Inspired by the Chilterns landscape, its ancient rituals and structures, and celebrating culture in Luton today, artist Matt Rosier will create a new community monument and outdoor gathering space.
Luton Henge - a new community monument
Our selected artist is Matthew Rosier who creates public artworks with communities across the UK. His practice involves the public in both the creation process and finished work, creating immersive installations that connect people with their shared heritage, landscapes and each other. Luton Henge will form the centre piece of three community celebrations due to take place summer 2025 in the Luton area.
“Luton Henge will be a new community monument made from the Chilterns National Landscape, inspired by its ancient rituals and structures, and celebrating culture in Luton today,” said Matthew. “For me this project is a rare and wonderful opportunity to create new relationships between the unique landscape of the Chilterns, those who were first drawn to it thousands of years before, and those who call it home today”.
More about Nature Calling
The project is funded by Arts Council England and the Department for Environment, Farming and Rural Affairs (Defra), as well as National Landscapes in England. Partners include the National Landscape Association, Activate Performing Arts and the Poetry School.
Find out more about Nature Calling on the dedicated website www.naturecalling.org.uk
Find out more about the other National Landscape hubs and their work here:
- Dorset National Landscape
- Forest of Bowland National Landscape
- Lincolnshire Wolds National Landscape
- Mendip Hills National Landscape
- Surrey Hills National Landscape